Reflections on life at “De Witte Wand”…

Category: Film

  • The Wicker Man

    The Wicker Man was a British horror film released in 1973. It’s become a cult classic. Well-deserved, in my opinion. The first time I saw it I was stunned. There’s no obvious blood and gore – all the horror comes from the underlying story. The reworking of folklore tales and music into a convincing creation of a pagan society is very well done.
     
    I was reminded of the film by two things today. First up was an article in The Guardian about the impact that the film has had on British folk music. Secondly, I’ve just been having a video call with my brother in Scotland, and he tells me that my niece and nephew are off to the Wicker Man Festival in Dundrennan tonight. I’m sure that they’ll have a great time… Hopefully, no one will get burned alive…  
  • “A Religious Experience For Atheists”

    That’s how Joe Clark describes 2001: A Space Odyssey. I can buy that. I’ve seen the film, oh, dozens of times, but it still manages to give me goosebumps. But where I would disagree with Joe is where he claims that it is "an index of a generation gap among cinéastes, since the group that considers 2001 the finest motion picture of the 20th century simply will never get along with the group that recapitulates tired arguments for the consensus choice, Citizen Kane".
     
    Tosh. They are both brilliant works of art. I would find it difficult to have to choose between them. I am reminded of the old joke about the Jewish mother who presents her beloved son with two ties for his birthday. He dutifully appears at his birthday party wearing one of them. "So", she says, "you didn’t like the other one, then?" 
  • OhMiGod…

    …Could it happen? According to this interview with Johnny Depp, there is a plan to make a film of Sondheim’s Sweeney Todd starring Depp and directed by Tim Burton.
     
    Swoon. That would be like all the endorphins in my brain suddenly exploding at once.
     
    Point one. Sweeney Todd is not simply "a musical" by Stephen Sondheim – it is a magnificent opera, a masterpiece.
     
    Point Two, Tim Burton is a director of genius.
     
    Point Three, Johnny Depp is a brilliant actor.
     
    I can’t wait until 2008…
  • Willy Wonka Gone Bad

    Johnny Depp portrays John Wilmot, Earl of Rochester. Here’s the brilliant prologue to the film. Methinks I should look out for The Libertine.
  • Harold and Maude

    Rupert Christiansen in The Telegraph reviews Harold and Maude, and brings back a whole raft of memories to me. Thanks to Yuki for saying to me all those years ago that I simply had to see this film. She was right. I see that Christiansen ranks it alongside If…, which was another film that made a profound impression on me.
  • The Film Meme

    OK, a quick digression into meme-land. This list should probably – for reasons of alliteration – be called the "Movie Meme", however, if you don’t mind I prefer sticking to "Film". The word "Movie" has an air of cheap cigar about it as far as I’m concerned.
     
    Anyway, here’s a list of 102 films that people who are supposed to be literate about film really ought to have seen. My score is in bold. How did you do?
     
    “2001: A Space Odyssey” (1968) Stanley Kubrick
    “The 400 Blows” (1959) Francois Truffaut
    “8 1/2" (1963) Federico Fellini
    “Aguirre, the Wrath of God” (1972) Werner Herzog
    “Alien” (1979) Ridley Scott
    “All About Eve” (1950) Joseph L. Mankiewicz
    “Annie Hall” (1977) Woody Allen
    “Apocalypse Now” (1979) Francis Ford Coppola*
    “Bambi” (1942) Disney
    “The Battleship Potemkin” (1925) Sergei Eisenstein
    “The Best Years of Our Lives” (1946) William Wyler
    “The Big Red One” (1980) Samuel Fuller
    “The Bicycle Thief” (1949) Vittorio De Sica
    “The Big Sleep” (1946) Howard Hawks
    “Blade Runner” (1982) Ridley Scott
    “Blowup” (1966) Michelangelo Antonioni
    “Blue Velvet” (1986) David Lynch
    “Bonnie and Clyde” (1967) Arthur Penn
    “Breathless” (1959 Jean-Luc Godard
    “Bringing Up Baby” (1938) Howard Hawks
    “Carrie” (1975) Brian DePalma
    “Casablanca” (1942) Michael Curtiz
    “Un Chien Andalou” (1928) Luis Bunuel & Salvador Dali
    “Children of Paradise” / “Les Enfants du Paradis” (1945) Marcel Carne
    “Chinatown” (1974) Roman Polanski
    “Citizen Kane” (1941) Orson Welles
    “A Clockwork Orange” (1971) Stanley Kubrick
    “The Crying Game” (1992) Neil Jordan
    “The Day the Earth Stood Still” (1951) Robert Wise
    “Days of Heaven” (1978) Terence Malick
    “Dirty Harry” (1971) Don Siegel
    “The Discreet Charm of the Bourgeoisie” (1972) Luis Bunuel
    “Do the Right Thing” (1989 Spike Lee
    “La Dolce Vita” (1960) Federico Fellini
    “Double Indemnity” (1944) Billy Wilder
    “Dr. Strangelove” (1964) Stanley Kubrick
    “Duck Soup” (1933) Leo McCarey
    “E.T. — The Extra-Terrestrial” (1982) Steven Spielberg
    “Easy Rider” (1969) Dennis Hopper
    “The Empire Strikes Back” (1980) Irvin Kershner
    “The Exorcist” (1973) William Friedkin
    “Fargo” (1995) Joel & Ethan Coen
    “Fight Club” (1999) David Fincher
    “Frankenstein” (1931) James Whale
    “The General” (1927) Buster Keaton & Clyde Bruckman
    “The Godfather,” “The Godfather, Part II” (1972, 1974) Francis Ford Coppola
    “Gone With the Wind” (1939) Victor Fleming
    “GoodFellas” (1990) Martin Scorsese
    “The Graduate” (1967) Mike Nichols
    “Halloween” (1978) John Carpenter
    “A Hard Day’s Night” (1964) Richard Lester
    “Intolerance” (1916) D.W. Griffith
    “It’s a Gift” (1934) Norman Z. McLeod
    “It’s a Wonderful Life” (1946) Frank Capra
    “Jaws” (1975) Steven Spielberg
    “The Lady Eve” (1941) Preston Sturges
    “Lawrence of Arabia” (1962) David Lean
    “M” (1931) Fritz Lang
    “Mad Max 2" / “The Road Warrior” (1981) George Miller
    “The Maltese Falcon” (1941) John Huston
    “The Manchurian Candidate” (1962) John Frankenheimer
    “Metropolis” (1926) Fritz Lang
    “Modern Times” (1936) Charles Chaplin
    “Monty Python and the Holy Grail” (1975) Terry Jones & Terry Gilliam
    “Nashville” (1975) Robert Altman
    “The Night of the Hunter” (1955) Charles Laughton
    “Night of the Living Dead” (1968) George Romero
    “North by Northwest” (1959) Alfred Hitchcock
    “Nosferatu” (1922) F.W. Murnau
    “On the Waterfront” (1954) Elia Kazan
    “Once Upon a Time in the West” (1968) Sergio Leone
    “Out of the Past” (1947) Jacques Tournier
    “Persona” (1966) Ingmar Bergman
    “Pink Flamingos” (1972) John Waters
    “Psycho” (1960) Alfred Hitchcock
    “Pulp Fiction” (1994) Quentin Tarantino
    “Rashomon” (1950) Akira Kurosawa
    “Rear Window” (1954) Alfred Hitchcock
    “Rebel Without a Cause” (1955) Nicholas Ray
    “Red River” (1948) Howard Hawks
    “Repulsion” (1965) Roman Polanski
    “The Rules of the Game” (1939) Jean Renoir
    “Scarface” (1932) Howard Hawks
    “The Scarlet Empress” (1934) Josef von Sternberg
    “Schindler’s List” (1993) Steven Spielberg
    “The Searchers” (1956) John Ford
    “The Seven Samurai” (1954) Akira Kurosawa
    “Singin’ in the Rain” (1952) Stanley Donen & Gene Kelly
    “Some Like It Hot” (1959) Billy Wilder
    “A Star Is Born” (1954) George Cukor
    “A Streetcar Named Desire” (1951) Elia Kazan
    “Sunset Boulevard” (1950) Billy Wilder
    “Taxi Driver” (1976) Martin Scorsese
    “The Third Man” (1949) Carol Reed
    “Tokyo Story” (1953) Yasujiro Ozu
    “Touch of Evil” (1958) Orson Welles
    “The Treasure of the Sierra Madre” (1948) John Huston
    “Trouble in Paradise” (1932) Ernst Lubitsch
    “Vertigo” (1958) Alfred Hitchcock
    “West Side Story” (1961) Jerome Robbins/Robert Wise
    “The Wild Bunch” (1969) Sam Peckinpah
    “The Wizard of Oz” (1939) Victor Fleming
  • Two to Watch

    On the strength of this review (particularly of the first film), The Child and The Road to Guantánamo are going on my list of films to see.