A friend forwarded some examples of the poster campaign that was running in Dublin’s buses last year. They’re funny and cheeky, but to my mind are just a trifle too knowing and full of themselves. Apparently though, they were considered risqué enough to warrant questions in the Irish Parliament…
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Dorcus Menswear for Men
I love the tautology in the title – it subtly hints at what you will see if you peruse the on-line catalogue. Yes, this is another collection of genuine material from the 1950s and 1960s from the man who gave us the Gallery of Regrettable Food.
There are some real classics in here. The American footballer pictured at home in his kitchen is perhaps one of fashion photography’s finest statements. It’s the perfect picture for a caption competition.
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Attention, Mike…
…this one’s for you!

The Gallery of Regrettable Food. Hey, I inherited some of my mother’s cookery books, and they are just like that! I haven’t dared try any of the recipes though. I suspect some will call for powdered eggs.
Mind you, there’s nothing wrong with tradition – I was given a copy of Constance Spry’s Cookery Book many years ago (thanks, Yuki!) and that has recipes from the 1950s – some of which I still use today.
2 responses to “Attention, Mike…”
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Hm. You should have been trackbacked for this. Ah well.My, my, my. What an interesting set of foodstuff. I haven’t laughed that hard in quite a while.(On an unrelated note, if I’m required to sign in with a Passport to comment, why do I still have to fill in my name and email address? I’ve given my left — er, finger up for these authentication schemes, the information might as well be used properly.)
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Glad you appreciated the Gallery – I thought you would. I had tears of laughter running down my face at some of the exhibits.On the comment side – your email and blog details are optional. I suspect that having to use Passport for comments is for two reasons: 1) it probably stops Spambots (at least for the moment!) and 2) it gives MSN a means to trace you if I complain to them about your comments.
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As We May Think
The title of this entry is also the title of an article written in 1945 by Dr. Vannevar Bush, then director of the Office of Scientific Research and Development in the US. In this article, Bush envisaged a machine called the Memex, which in many ways has presaged the rise of the combination of the World Wide Web and Personal Computers. Indeed, Internet pioneers such as Ted Nelson took Bush’s idea of "associative links" between pieces of information and developed the idea of Hypertext (the term was coined by Nelson) – a simplification of which forms the basis of the Web today.
I was reminded of all this today when I came across a video published on the Channel 9 web site. The video is an interview with two of Microsoft’s researchers, Gordon Bell and Jim Gemmel about the "MyLifebits" project. Gordon Bell is one of my IT heroes – he was the man behind DEC’s original line of mini-computers, the PDPs. Another is Jim Gray, whose groundbreaking work with databases has led him to end up working with Bell on MyLifebits in Microsoft Research.
So what is MyLifebits? In a nutshell, it is the attempt to realise Bush’s Memex – "A memex is a device in which an individual stores all his books, records, and communications, and which is mechanized so that it may be consulted with exceeding speed and flexibility". The project has extended some of Bush’s original ideas to now include capturing information when on the move. A slide from a PowerPoint presentation on MyLifebits is included below to give some idea of the range of information that is being captured.
The video is interesting, not just for the experience of hearing Bell and Gemmell talk about their work, but also to see the project in action with some demonstrations of how a Memex-like device may not be "As we may Think", but become "How We May Think".
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Dogs and Robot Dogs – Can they get along?
Those good people at Sony are researching into how to improve their robotic pets. Scientists at Sony’s Computer Science Laboratory in Paris (now that sounds a fun place to work in) have been looking at the interactions between real live dogs and Aibo, Sony’s robot dog.
My favourite is the Dog Attack Movie. Warning, don’t be drinking a beverage while watching this…
One response to “Dogs and Robot Dogs – Can they get along?”
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Yea I believe everything about the Aibo. They are an incredible technology. I own a ers-7m2. It’s amazing. It finds me in the room and sits by my feet. It recognizes my face, voice and comes when I call him. He can find his toys in the room too and charge himself when his battery is low!
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We’re All Doomed
I think that Mount St. Helens is in league with the BBC. The latter is going to broadcast its fictional documentary: Supervolcano this coming weeked, and today Mount St. Helens lets us know it’s still around by emitting a large cloud of ash.
Supervolcano is about the caldera that is underneath Yellowstone National Park. Apparently it erupts every 600,000 years – and the last time was 640,000 years ago, so we’re a bit overdue. As far as I’m concerned I’m quite happy about that. This is one time where I don’t view punctuality as good manners.
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Managing Photo Libraries: Part 3
Another day, another look at more photo organising software. This time it’s the turn of PicaJet FX and IMatch.
PicaJet FX shows promise. The main screen has a nice clean feel to it. It knows about EXIF and IPTC metadata – although its handling of the latter definitely needs improvement. The developers say that they will be improving the EXIF/IPTC features in the future and plan to make all IPTC fields editable from within PicaJet. The main thumbnail screen pans nicely when rotating the mouse wheel or moving the scrollbar (unlike Adobe’s Organizer, spit, spit), and it also supports hierachical views of Windows folders and categories (which can be built from IPTC keywords). I think that give it another couple of versions, and PicaJet will be a very credible piece of software. I’ll definitely keep an eye on it – but it’s not quite there for me yet.
IMatch – well, what can I say. I’m sure this is a program that you either love or hate. As you might have gathered, I like software that fits my virtual hand like a well-designed tool. One that feels right, one that does its job without fuss, and without trying to impress me with the number of bells and whistles at its command. As you might also have gathered, I don’t think IMatch meets my criteria. If I right-click on a file, the lights in the house dim while a humungous menu unrolls and displays all the possible actions that I can do. Frankly, I have no idea why I would possibly want to do some of these actions. And wait, there’s more – the menus reveal drop downs that stretch out to the crack of doom. I confess I ran screaming from this piece of software and uninstalled it after one day. I’m sure there are many people who worship this program – I just ain’t got religion.
3 responses to “Managing Photo Libraries: Part 3”
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[…] Managing Photo Libraries – Part 3 […]
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[…] Managing Photo Libraries – Part 3 […]
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[…] in February, I wrote the first of a series ( number 2 and number 3) of posts on managing photo libraries. In the first post, I mentioned Flickr as an example of an […]
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Managing Photo Libraries: Part 2
This is a followup to my previous post. I’ve been taking a look at some other software applications for organising libraries of photos. This time I’ll write about ACDSee7, ThumbsPlus 7 and Adobe’s Organizer (included as part of Photoshop Elements).
First, let me state a groundrule that I have adopted: I insist that any organising software will respect any EXIF, IPTC and XMP metadata that may be stored in the image file itself. I am not interested in any image metadata being stored away in a proprietary format in the organising software itself. That way lies painting oneself into a corner down the road… However, I will accept an organiser that copies metadata from image files into its own database for performance reasons, so long as the database and the image files metadata content are kept in sync transparently (i.e. it takes no effort on my part).
So, with that groundrule in mind, I can instantly reject consideration of ACDSee 7. Yes, it can read and write EXIF metadata, but does not handle either IPTC or XMP. Instead it stores keyword metadata only in its own database. Sorry, guys, but ACDSee is not for me.
Next up is ThumbsPlus 7 from Cerious Software. I’ve actually been using ThumbsPlus 5 for years – since the days of Windows 95, when image handling by the operating system was in its infancy, and needed a boost from applications such as ThumbsPlus. Now, I quite like ThumbsPlus – it’s fast and flexible, but on balance I don’t think it’s for me. The reasons are that the program has “grown like Topsy” over the years, and now it has so many bells and whistles that I have no use for. It’s as though I can no longer see the wood for the trees. In addition, although it can read and write IPTC metadata, it does not use IPTC keywords by default, but stores user keywords in its own database. It is possible to set up synchronisation of these internal keywords and IPTC keywords. However, if you want to search on other IPTC metadata, then you need to define your own user fields in the ThumbsPlus database, and set up mapping between these and IPTC fields. While this can be done, it’s not very convenient, and it means that right from the word go, I’m having to delve into an application instead of concentrate on the task at hand. In addition, it does not yet support XMP metadata at all. So, close – but no cigar.
And then we come to Adobe’s Organizer. First, the good thing: the editor in Photoshop Elements is excellent, so for manipulating your digital images, it is likely to have all the power that most people are looking for. But I actively hate the Organizer with a passion. I find it an appalling and clunky piece of software. Adobe should be ashamed of themselves for releasing this on to the market. And they have no excuse, it’s not as though this has been their first foray into this area. It’s clearly meant as Adobe’s Photoshop Album on steroids – but instead they have created a Frankenstein’s monster. Why don’t I like it? Let me count the ways:
- Browsing through the library.
Scrolling through a library of thumbnails should be as smooth as silk. Indeed, on my PC, that is exactly the experience I have with Picasa 2. Rolling the mouse thumbwheel produces a smooth scroll of the thumbnails. With Organizer, on the other hand, it’s like strobe lights in a disco. Everything jumps around wildly leading to a deeply frustrating experience. There is no smoothness at all. - Integration with the underlying Folder structure of Windows.
If I rename a folder with the Windows Explorer, it’s instantly reflected in Picasa. Organizer remains blind to any changes – and I still haven’t found any way to update the Folder structure within Organizer to match the underlying Windows structure. Please don’t tell me I’ve got to delete the catalogue and recreate it. I do have folders being watched in Organizer, but this seems to mean “watch the contents – and ignore any changes to the folder names”. - Integration with the underlying Windows platform
Organizer totally ignores the Windows Regional Settings. To get the European date format of dd-mm-yyyy (which is how I work), I have to press CTRL-ALT-SHIFT-D. Hello? What planet are Adobe’s developers from?Even simple things like respecting the Windows GUI guidelines would be nice. Example: I come back from a day’s photography with a hundred photos on my compact flash card. Plug it into my reader, and the Organizer shows me the photos and asks me to select the ones I wish to import into Organizer. Ah, I think, I can Shift-Click to select them all – no, says Organizer, you have to select every single one individually. Screw you, I say… - Backup of the library
The Organizer’s idea of making a backup is to take a hierarchical set of folders and their contents, copy and rename every file into a flat structure (bang goes your carefully constructed folder hierarchy) and toss in a copy of the catalogue database. What is this? I call it totally braindead.Picasa, on the other hand, deals with CD/DVD and Server backups in a totally logical fashion, recreating the folder structure and copies of the content on the selected backup medium. Wonderful, simple, works. - Dealing with IPTC/XMP metadata
Editing the metadata with a tool such as PixVue is instantly reflected in Picasa. Organizer remains blind to any changes. Once again, I have no idea how to kick Organizer into recognising that something has changed outside of its own little world. I also have the uncomfortable feeling that Organizer’s tags are just copies of some of the original IPTC tags when a file is first imported, and it’s not a complete mapping. For example, origin data such as sub-location, city, state and country data seem to be ignored.
As you can tell, I am really not impressed with Organizer 🙂
So where does this leave me? No tool I’ve looked at so far is perfect from my perspective, but the combination of Picasa 2 (for organising and searching – it searches IPTC/XMP metadata) and PixVue (for editing image metadata) is looking to be the front runner. And both tools are free software.
Picasa 2 does have bugs, and its biggest current drawback is that while it will list all folders, it will not display the folder tree. This is in keeping with Google’s philosophy that folder trees are “a bad thing”. However, judging by the anguished screams from Picasa users in the support forums, I suspect that Google may reconsider this. I certainly hope so. At the end of the day, it comes closest to what I’m looking for.
15 responses to “Managing Photo Libraries: Part 2”
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It didn’t occur to me until later, but what’s driven you to the need to support three types of metadata? Aside from the migration work of standardizing on one format, is there a reason not to move to only one of the three metadata formats?
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Horses for courses. EXIF is metadata focused on information about the picture itself: camera shutter speed, exposure, etc. IPTC and XMP are focused on metadata about the subject of the photograph: topic, location, photographer, etc. IPTC is an earlier standard that has been in use by the press agencies since the 1980s – so there’s a large installed base. However, it’s not easily extensible. Enter XMP, which is an XML-based successor to IPTC. Ultimately, I expect the survivors to be EXIF and XMP, but IPTC is going to hang around for a number of years yet.
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Hmmm… I’m reading this a bit late but have you tried IMatch <http://www.photools.com/>.They have a 30 day trial and seem to cover everything I need. The interface is not as intuitive as the others but once you get past that this thing is powerfull. One of the drawbacks of Picasa is no support for offline images. You can’t catalog a bunch of CDs or DVDs and expect to browse the thumbnails and know where to find your image.
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Richard – yes, I have tried IMatch (see my blog entry on March 8). You say "the interface is not as intuitive as the others" – there’s an understatement if ever I saw one! It may be powerful, but I really couldn’t be bothered with having to forego decent interface design.PicaJet, by comparison, is much more intuitive – and it does support offline libraries of CD/DVD material. The makers are also planning to add support for file versioning, which I find increasingly important.There’s another product I recently came across: idImager, which has support for versioning. It’s fairly similar to PicaJet in many respects, and so I’m looking hard at both.Picasa, as you say, does have some limitations. Where it scores (and scores highly in my opinion) is in the speed of its searches and ease of browsing. I will continue to keep an eye on it in the hope of further imporvements.
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Just like you, I’ve been looking around for a good annotation/tagging tool combined with a good organizer/viewer/browser.Me too i very much like Picasa2 and hope they’ll listen to a cry of there users.* allow "SAVE" to picture. Altough it’s nice that they keep track of most image operations in the picasa.ini file. Sometimes, you just want to persist you changes into the picture.* Offline browsing. If you have pictures stored on a network drive that get’s disconnected. Don’t dare to startup picasa because you loose all your thubmnails, and the internal database is emptied. Reconnecting the network drive will result in slowly rebuilding the whole database again. * Tagging an Annotation is fairly good, but i wish they would support edting all the XMP metadata info. -> that’s where indeed pixvue comes in handy. And if you dare to use another tool to add/edit the iptc/xmp data. Picasa does not want to see those changes.I do like the PSE3 organizer. But only for the easy Drag and Drop of tags. And the (internal) hiearchical organisation of those tags. A pity though that the hierarchy is not added in the XMP also.And altough there seems to be a Write Tag info to file. I have tried that (and verified ith pixvue) but that does not seem to work. So i’m currently writing a little app to write all my tagging info (2 year of hard labelling work), into the XMP (and IPTC) metadata. The PSE3 catalogs are plain simple Access DB’s so all the labelling info can be easily retrieved.* Saving thumbnail info INTO the XMP:thumbnail : Do you know of any organizing software that makes use of that [read and write].
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Roel – good luck with an app to work with Organizer – particularly if you can add batch read/write operations for XMP data. I don’t know of an application that will add thumbnail info into XMP metadata yet, but you might want to take a look at Picajet (www.picajet.com) and ask the same question on the Picajet forums. While at the moment, version 2 of Picajet only reads XMP, I know that they are working on version 3 which will have support for writing XMP. The developers are very responsive, so they are interested in good suggestions for their product’s direction. Cheers.
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thanks for the very good infos.I agree with you – photo managing softwares don’t use XMP enough. I am using PixView + Adobe Bridge, from Adobe Photoshop CS 2. They can read/write XMP data. PixView is still better than bridge to add metadata.
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Francois, interesting to read that you still use PixVue, even though you have Adobe’s Bridge. PixVue is a really elegant little program – and it’s free! I can’t justify the cost of PhotoShop CS2 and Bridge to myself, so I’m making do with PhotoShop Elements 4.0. And here too, Adobe don’t make it easy to manipulate metadata. For example, you can’t apply metadata in batches (as you can with PixVue) – you have to do it individually file by file.
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[…] in February, I wrote the first of a series ( number 2 and number 3) of posts on managing photo libraries. In the first post, I mentioned Flickr as an […]
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[…] to find the ideal way of managing my library of digital photos for quite some time. Alas, nothing seems to quite fit the bill. Well, recently, I tried out, and subsequently bought, a copy of IDimager […]
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[…] Managing Photo Libraries – Part 2 […]
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[…] Managing Photo Libraries – Part 2 […]
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[…] I’ll be honest: I’ve never felt comfortable using Adobe software. Too many of their products strike me as being poorly designed and/or buggy. For example, I stopped using PhotoShop Elements after later versions got even worse than earlier versions, which were bad enough. […]
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[…] it, <grumpy old man> bloody useless, you bunch of idiots </grumpy old man>. Lord knows, I’ve ranted on about Adobe developers in the past, but at least they managed to implement tag search as an ”AND” function in the […]
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[…] The malaise of piss-poor design seemingly crops up all over the place in Adobe’s products. I’ve ranted on about this before, writing about Adobe’s Organizer in Photoshop Elements version 3.0. It didn’t improve […]
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- Browsing through the library.
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Winter has Come
We’ve had a cold snap and snow for the past couple of days. It’s the first time for several years that we’ve had it this cold. Expected to be -20 tonight. We went out for a walk in the neighbourhood today, and I took these photos.
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Poetry of Sorts
Via the Language Log, I’ve come across the Harvard Sentences – lists of English sentences used to test audio equipment. Reading these lists takes on a surreal, Borgesian quality – I get glimpses of some strange other world…
The effect is subtly heightened by the occasional mis-spelling; sentence 10 in lists 5 and 7, for example.
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The Power of Marketing
Reuters reports that Obersalzberg has reopened as a luxury retreat. This strikes me as just a trifle bit tacky this close to the second world war. Next target for the marketeers is Sadaam’s Baghdad Palace? You probably want a few centuries before it’s safe to consider places like this as a tourist draw. E.g. Chichen Itza.
Update: The Observer newpaper reviews the hotel.
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Don’t Look, Don’t Tell
Brilliant item in the Annals of Improbable Research today: Don’t Look, Don’t Tell.
These days, Carl Sagan’s polemic against a demon-haunted world seems to me, in my hours of darkest imaginings, to being more like a candle blowing in the wind, rather than a light in the dark…
As one of the book’s reviewers said: Carl, you are sorely missed.
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The Apprentice
I’ve mentioned The Apprentice before in my blog. As promised, I was there on the sofa for the second episode last week. The programme delivered the requisite "peeking from behind my fingers" quotient. As well as, I have to note, some very pleasing eye-candy in the form of Timothy, shown wearing only a towel at one point. Martin, my husband, who generally loathes business programmes, also snapped to attention at this point (look, if you came to this blog expecting to read only intellectual items – sorry – Martin and I are only human)…
Anyway, the unlucky one who got fired in this episode was Lindsay, who, it turns out is yet another ex-Shell person. I have to say, that judging by the tale spun on the programme, I (and probably yer average viewer) felt that she got what she deserved. For someone billed as a "Communications Manager" she seemed to do precious little listening to her team – who were convinced that her pet project the "Secret Signals" toy was a poor second best to the sexy alternative: a toy robot. Undaunted, she pressed on, and duly took the hit.
And yet, and yet – it seems that once again the meta-message is Don’t Trust the Meeja. I contacted a mutual friend, who is still with Shell, and she told me that the programme’s editors artfully cut the show to build a picture of Lindsay and the others that they wanted to convey. They apparently cut out the entire discussion on the financial side of things, which would have made the choice more obvious to others (Secret Signals was way cheaper to make than the robot, and hence would have been more profitable when you look at costs and profits). However, the BBC’s editors decided to cut all of that, and hence made it seem that all she wanted to do was follow her own idea…
The Meeja – doncha just love them? And don’t get me started on what the bloody meeja studies graduates have done to that once fine BBC programme: Horizon…
Oh well, I’ll be back on the sofa again to watch The Apprentice – but not tomorrow night – I’ve got another date in Dekxels with another ex-colleague to talk about life, work and information technology… Now, if I can only master my DVR, I might be able to record it.
2 responses to “The Apprentice”
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If only you’d mentioned this at dinner. Augh! We’re in the third season of The Apprentice in the US, brainchild of Donald Trump. I became addicted to the first season and have had to make sure to stay away from the second (not so successfully) and third (more successfully) seasons. The first season was actually quite good, especially once the chaff had been separated and the truly capable people were left. I wasn’t as enamored of the people in the second season, so it was harder to care about them. The current season has pitted book-smart (college educated) against street-smart (high school diploma only) applicants. All of them are what I would consider successful, but it has actually been very telling to see theoretical vs. practical knowlege in place.That said, every single person on the show is rather dysfunctional. It’s like a train wreck in slow motion.
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"Train wreck in slow motion" – Yes, I think that’s a pretty good description of the British version as well. I did manage to master the DVR (well, a Windows application on my PC) so I was able to view the episode after our dinner. Once again the women came out of it the worst, Sir Alan Sugar is hamming it up for all he’s worth, and I think enjoying it all hugely.
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Want One and Two
OK, I admit it, you don’t have to go very far before you come up against one of my boundaries in knowledge. My excuse is that there’s so much stuff out there and three score and ten doesn’t even start to come close to the time that I would need to rectify it.
And so it was that ten days ago I read a piece in the Observer on Rufus Wainwright.
I’d never consciously heard the name before reading the article, although, in my defense, I had heard of his mother Kate McGarrigle. In fact, I think I’ve even listened to some of her folk songs in the dear and distant days of my youth. And I’m pretty sure that I’d heard of his father, Loudon Wainwright III (I point to the ‘III’ as the clincher that made it stick in the memory cells – a family that is so dumb as to use the same name three times in a row has to be dysfunctional somewhere along the line).
Anyway, the article was intriguing – Rufus sounded like a real bundle of twitching contradictions mixed in with musical talent inherited from his parents. The whole family seem to have had their share of angst – as his sister drily observed: "It wasn’t the Von Trapp Family". And Rufus is queer, to boot. OK, I thought, I must listen to some of his music.
Today, Want One arrived from Amazon, and I’ve been playing it all day. Loved the opening track: Oh What A World – with its mixing in of Ravel’s Bolero. I think I’m going to listen to more of the young Wainwright. I suspect my order to Want Two will shortly be placed with Amazon.
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“It is a foul calumny that we do today”
Brian Sedgemore MP tearing into the complacent British government over the eroding of civil liberty by using the false spectre of terrorism.
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Hamster-Powered Music
Boing Boing comes up trumps again and points me to (drumroll) The Hamster-Powered MIDI Sequencer.
I swear, you couldn’t make this up if you tried…
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The Stroop Effect
Thanks to the Language Log, I came across a new example of psychological interference today: the Stroop Effect. Try it – although if you suffer from colour blindness, it may not work…
Coincidentally, the word "stroop" in Dutch means syrup – and that aptly sums up the feeling of trying to walk through a vat of syrup when doing the Stroop test.
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Things I don’t Miss About Work: The Marketing Department
#3 in an occasional series.
OK, I know it’s like shooting fish in a barrel, but what is it about marketing people? They clearly come from another planet from the one I live on. To illustrate the point, take the latest jewel from Microsoft’s Marketing Department: MSN.:Found. Note the weird punctuation in the title; note the "let’s be hip" feel; note the fact that none of these people are real; note that I’ve just been sick in a bucket.
Douglas Adams had the right idea about marketing departments.
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Gay men ‘as bad as women with maps’
That’s the headline of a story carried by the London Times about research that has been carried out by the University of East London that seems to show that gay men and women (both straight and lesbian) share the same strategies in map reading, and that these are different from those of straight men.
Personally, I think that the sub-editor responsible for this headline has an agenda. It’s a crap headline – we just use different strategies from straight men. Actually, reading the story, we (gay men) appear to adopt the best of both approaches, so far from being "as bad as", we are, in fact, better than straight men, straight women, and lesbians. So there!
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