Reflections on life at “De Witte Wand”…

  • Managing Photo Libraries: Part 2

    This is a followup to my previous post. I’ve been taking a look at some other software applications for organising libraries of photos. This time I’ll write about ACDSee7, ThumbsPlus 7 and Adobe’s Organizer (included as part of Photoshop Elements).

    First, let me state a groundrule that I have adopted: I insist that any organising software will respect any EXIF, IPTC and XMP metadata that may be stored in the image file itself. I am not interested in any image metadata being stored away in a proprietary format in the organising software itself. That way lies painting oneself into a corner down the road… However, I will accept an organiser that copies metadata from image files into its own database for performance reasons, so long as the database and the image files metadata content are kept in sync transparently (i.e. it takes no effort on my part).

    So, with that groundrule in mind, I can instantly reject consideration of ACDSee 7. Yes, it can read and write EXIF metadata, but does not handle either IPTC or XMP. Instead it stores keyword metadata only in its own database. Sorry, guys, but ACDSee is not for me.

    Next up is ThumbsPlus 7 from Cerious Software. I’ve actually been using ThumbsPlus 5 for years – since the days of Windows 95, when image handling by the operating system was in its infancy, and needed a boost from applications such as ThumbsPlus. Now, I quite like ThumbsPlus – it’s fast and flexible, but on balance I don’t think it’s for me. The reasons are that the program has “grown like Topsy” over the years, and now it has so many bells and whistles that I have no use for. It’s as though I can no longer see the wood for the trees. In addition, although it can read and write IPTC metadata, it does not use IPTC keywords by default, but stores user keywords in its own database. It is possible to set up synchronisation of these internal keywords and IPTC keywords. However, if you want to search on other IPTC metadata, then you need to define your own user fields in the ThumbsPlus database, and set up mapping between these and IPTC fields. While this can be done, it’s not very convenient, and it means that right from the word go, I’m having to delve into an application instead of concentrate on the task at hand.  In addition, it does not yet support XMP metadata at all. So, close – but no cigar.

    And then we come to Adobe’s Organizer. First, the good thing: the editor in Photoshop Elements is excellent, so for manipulating your digital images, it is likely to have all the power that most people are looking for. But I actively hate the Organizer with a passion. I find it an appalling and clunky piece of software. Adobe should be ashamed of themselves for releasing this on to the market. And they have no excuse, it’s not as though this has been their first foray into this area. It’s clearly meant as Adobe’s Photoshop Album on steroids – but instead they have created a Frankenstein’s monster. Why don’t I like it? Let me count the ways:

    1. Browsing through the library.
      Scrolling through a library of thumbnails should be as smooth as silk. Indeed, on my PC, that is exactly the experience I have with Picasa 2. Rolling the mouse thumbwheel produces a smooth scroll of the thumbnails. With Organizer, on the other hand, it’s like strobe lights in a disco. Everything jumps around wildly leading to a deeply frustrating experience. There is no smoothness at all.
    2. Integration with the underlying Folder structure of Windows.
      If I rename a folder with the Windows Explorer, it’s instantly reflected in Picasa. Organizer remains blind to any changes – and I still haven’t found any way to update the Folder structure within Organizer to match the underlying Windows structure. Please don’t tell me I’ve got to delete the catalogue and recreate it. I do have folders being watched in Organizer, but this seems to mean “watch the contents – and ignore any changes to the folder names”.
    3. Integration with the underlying Windows platform
      Organizer totally ignores the Windows Regional Settings. To get the European date format of dd-mm-yyyy (which is how I work), I have to press CTRL-ALT-SHIFT-D. Hello? What planet are Adobe’s developers from?
      Even simple things like respecting the Windows GUI guidelines would be nice. Example: I come back from a day’s photography with a hundred photos on my compact flash card. Plug it into my reader, and the Organizer shows me the photos and asks me to select the ones I wish to import into Organizer. Ah, I think, I can Shift-Click to select them all – no, says Organizer, you have to select every single one individually. Screw you, I say…
    4. Backup of the library
      The Organizer’s idea of making a backup is to take a hierarchical set of folders and their contents, copy and rename every file into a flat structure (bang goes your carefully constructed folder hierarchy) and toss in a copy of the catalogue database. What is this? I call it totally braindead.
      Picasa, on the other hand, deals with CD/DVD and Server backups in a totally logical fashion, recreating the folder structure and copies of the content on the selected backup medium. Wonderful, simple, works.
    5. Dealing with IPTC/XMP metadata
      Editing the metadata with a tool such as PixVue is instantly reflected in Picasa. Organizer remains blind to any changes. Once again, I have no idea how to kick Organizer into recognising that something has changed outside of its own little world. I also have the uncomfortable feeling that Organizer’s tags are just copies of some of the original IPTC tags when a file is first imported, and it’s not a complete mapping. For example, origin data such as sub-location, city, state and country data seem to be ignored.

    As you can tell, I am really not impressed with Organizer 🙂

    So where does this leave me? No tool I’ve looked at so far is perfect from my perspective, but the combination of Picasa 2 (for organising and searching – it searches IPTC/XMP metadata) and PixVue (for editing image metadata) is looking to be the front runner. And both tools are free software.

    Picasa 2 does have bugs, and its biggest current drawback is that while it will list all folders, it will not display the folder tree. This is in keeping with Google’s philosophy that folder trees are “a bad thing”. However, judging by the anguished screams from Picasa users in the support forums, I suspect that Google may reconsider this. I certainly hope so. At the end of the day, it comes closest to what I’m looking for.

    15 responses to “Managing Photo Libraries: Part 2”

    1. Michael Avatar
      Michael

      It didn’t occur to me until later, but what’s driven you to the need to support three types of metadata? Aside from the migration work of standardizing on one format, is there a reason not to move to only one of the three metadata formats?

    2. Geoff Avatar
      Geoff

      Horses for courses. EXIF is metadata focused on information about the picture itself: camera shutter speed, exposure, etc. IPTC and XMP are focused on metadata about the subject of the photograph: topic, location, photographer, etc. IPTC is an earlier standard that has been in use by the press agencies since the 1980s – so there’s a large installed base. However, it’s not easily extensible. Enter XMP, which is an XML-based successor to IPTC. Ultimately, I expect the survivors to be EXIF and XMP, but IPTC is going to hang around for a number of years yet.

    3. Richard Avatar
      Richard

      Hmmm… I’m reading this a bit late but have you tried IMatch <http://www.photools.com/&gt;.They have a 30 day trial and seem to cover everything I need. The interface is not as intuitive as the others but once you get past that this thing is powerfull. One of the drawbacks of Picasa is no support for offline images. You can’t catalog a bunch of CDs or DVDs and expect to browse the thumbnails and know where to find your image.

    4. Geoff Avatar
      Geoff

      Richard – yes, I have tried IMatch (see my blog entry on March 8). You say "the interface is not as intuitive as the others" – there’s an understatement if ever I saw one! It may be powerful, but I really couldn’t be bothered with having to forego decent interface design.PicaJet, by comparison, is much more intuitive – and it does support offline libraries of CD/DVD material. The makers are also planning to add support for file versioning, which I find increasingly important.There’s another product I recently came across: idImager, which has support for versioning. It’s fairly similar to PicaJet in many respects, and so I’m looking hard at both.Picasa, as you say, does have some limitations. Where it scores (and scores highly in my opinion) is in the speed of its searches and ease of browsing. I will continue to keep an eye on it in the hope of further imporvements.

    5. Roel Avatar
      Roel

      Just like you, I’ve been looking around for a good annotation/tagging tool combined with a good organizer/viewer/browser.Me too i very much like Picasa2 and hope they’ll listen to a cry of there users.* allow "SAVE" to picture. Altough it’s nice that they keep track of most image operations in the picasa.ini file. Sometimes, you just want to persist you changes into the picture.* Offline browsing. If you have pictures stored on a network drive that get’s disconnected. Don’t dare to startup picasa because you loose all your thubmnails, and the internal database is emptied. Reconnecting the network drive will result in slowly rebuilding the whole database again. * Tagging an Annotation is fairly good, but i wish they would support edting all the XMP metadata info. -> that’s where indeed pixvue comes in handy. And if you dare to use another tool to add/edit the iptc/xmp data. Picasa does not want to see those changes.I do like the PSE3 organizer. But only for the easy Drag and Drop of tags. And the (internal) hiearchical organisation of those tags. A pity though that the hierarchy is not added in the XMP also.And altough there seems to be a Write Tag info to file. I have tried that (and verified ith pixvue) but that does not seem to work. So i’m currently writing a little app to write all my tagging info (2 year of hard labelling work), into the XMP (and IPTC) metadata. The PSE3 catalogs are plain simple Access DB’s so all the labelling info can be easily retrieved.* Saving thumbnail info INTO the XMP:thumbnail : Do you know of any organizing software that makes use of that [read and write].

    6. Geoff Avatar
      Geoff

      Roel – good luck with an app to work with Organizer – particularly if you can add batch read/write operations for XMP data. I don’t know of an application that will add thumbnail info into XMP metadata yet, but you might want to take a look at Picajet (www.picajet.com) and ask the same question on the Picajet forums. While at the moment, version 2 of Picajet only reads XMP, I know that they are working on version 3 which will have support for writing XMP. The developers are very responsive, so they are interested in good suggestions for their product’s direction. Cheers.

    7. francois Avatar
      francois

      thanks for the very good infos.I agree with you – photo managing softwares don’t use XMP enough. I am using PixView + Adobe Bridge, from Adobe Photoshop CS 2. They can read/write XMP data. PixView is still better than bridge to add metadata.

    8. Geoff Avatar
      Geoff

      Francois, interesting to read that you still use PixVue, even though you have Adobe’s Bridge. PixVue is a really elegant little program – and it’s free! I can’t justify the cost of PhotoShop CS2 and Bridge to myself, so I’m making do with PhotoShop Elements 4.0. And here too, Adobe don’t make it easy to manipulate metadata. For example, you can’t apply metadata in batches (as you can with PixVue) – you have to do it individually file by file.

    9. […] in February, I wrote the first of a series ( number 2 and number 3) of posts on managing photo libraries. In the first post, I mentioned Flickr as an […]

    10. […] to find the ideal way of managing my library of digital photos for quite some time. Alas, nothing seems to quite fit the bill. Well, recently, I tried out, and subsequently bought, a copy of IDimager […]

    11. […] Managing Photo Libraries – Part 2 […]

    12. […] I’ll be honest: I’ve never felt comfortable using Adobe software. Too many of their products strike me as being poorly designed and/or buggy. For example, I stopped using PhotoShop Elements after later versions got even worse than earlier versions, which were bad enough. […]

    13. […] it, <grumpy old man> bloody useless, you bunch of idiots </grumpy old man>. Lord knows, I’ve ranted on about Adobe developers in the past, but at least they managed to implement tag search as an ”AND” function in the […]

    14. […] The malaise of piss-poor design seemingly crops up all over the place in Adobe’s products. I’ve ranted on about this before, writing about Adobe’s Organizer in Photoshop Elements version 3.0. It didn’t improve […]

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  • Winter has Come

    We’ve had a cold snap and snow for the past couple of days. It’s the first time for several years that we’ve had it this cold. Expected to be -20 tonight. We went out for a walk in the neighbourhood today, and I took these photos.

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  • Poetry of Sorts

    Via the Language Log, I’ve come across the Harvard Sentences – lists of English sentences used to test audio equipment. Reading these lists takes on a surreal, Borgesian quality – I get glimpses of some strange other world…

    The effect is subtly heightened by the occasional mis-spelling; sentence 10 in lists 5 and 7, for example.

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  • The Power of Marketing

    Reuters reports that Obersalzberg has reopened as a luxury retreat. This strikes me as just a trifle bit tacky this close to the second world war. Next target for the marketeers is Sadaam’s Baghdad Palace? You probably want a few centuries before it’s safe to consider places like this as a tourist draw. E.g. Chichen Itza.

    Update: The Observer newpaper reviews the hotel.

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  • Don’t Look, Don’t Tell

    Brilliant item in the Annals of Improbable Research today: Don’t Look, Don’t Tell.

    These days, Carl Sagan’s polemic against a demon-haunted world seems to me, in my hours of darkest imaginings, to being more like a candle blowing in the wind, rather than a light in the dark…

    As one of the book’s reviewers said: Carl, you are sorely missed.

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  • The Apprentice

    I’ve mentioned The Apprentice before in my blog. As promised, I was there on the sofa for the second episode last week. The programme delivered the requisite "peeking from behind my fingers" quotient. As well as, I have to note, some very pleasing eye-candy in the form of Timothy, shown wearing only a towel at one point. Martin, my husband, who generally loathes business programmes, also snapped to attention at this point (look, if you came to this blog expecting to read only intellectual items – sorry – Martin and I are only human)…

    Anyway, the unlucky one who got fired in this episode was Lindsay, who, it turns out is yet another ex-Shell person. I have to say, that judging by the tale spun on the programme, I (and probably yer average viewer) felt that she got what she deserved. For someone billed as a "Communications Manager" she seemed to do precious little listening to her team – who were convinced that her pet project the "Secret Signals" toy was a poor second best to the sexy alternative: a toy robot. Undaunted, she pressed on, and duly took the hit.

    And yet, and yet – it seems that once again the meta-message is Don’t Trust the Meeja. I contacted a mutual friend, who is still with Shell, and she told me that the programme’s editors artfully cut the show to build a picture of Lindsay and the others that they wanted to convey. They apparently cut out the entire discussion on the financial side of things, which would have made the choice more obvious to others (Secret Signals was way cheaper to make than the robot, and hence would have been more profitable when you look at costs and profits). However, the BBC’s editors decided to cut all of that, and hence made it seem that all she wanted to do was follow her own idea…

    The Meeja – doncha just love them? And don’t get me started on what the bloody meeja studies graduates have done to that once fine BBC programme: Horizon

    Oh well, I’ll be back on the sofa again to watch The Apprentice – but not tomorrow night – I’ve got another date in Dekxels with another ex-colleague to talk about life, work and information technology… Now, if I can only master my DVR, I might be able to record it.

    2 responses to “The Apprentice”

    1. Michael Avatar
      Michael

      If only you’d mentioned this at dinner. Augh! We’re in the third season of The Apprentice in the US, brainchild of Donald Trump. I became addicted to the first season and have had to make sure to stay away from the second (not so successfully) and third (more successfully) seasons. The first season was actually quite good, especially once the chaff had been separated and the truly capable people were left. I wasn’t as enamored of the people in the second season, so it was harder to care about them. The current season has pitted book-smart (college educated) against street-smart (high school diploma only) applicants. All of them are what I would consider successful, but it has actually been very telling to see theoretical vs. practical knowlege in place.That said, every single person on the show is rather dysfunctional. It’s like a train wreck in slow motion.

    2. Geoff Avatar
      Geoff

      "Train wreck in slow motion" – Yes, I think that’s a pretty good description of the British version as well. I did manage to master the DVR (well, a Windows application on my PC) so I was able to view the episode after our dinner. Once again the women came out of it the worst, Sir Alan Sugar is hamming it up for all he’s worth, and I think enjoying it all hugely.

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  • Want One and Two

    OK, I admit it, you don’t have to go very far before you come up against one of my boundaries in knowledge. My excuse is that there’s so much stuff out there and three score and ten doesn’t even start to come close to the time that I would need to rectify it.

    And so it was that ten days ago I read a piece in the Observer on Rufus Wainwright.

    I’d never consciously heard the name before reading the article, although, in my defense, I had heard of his mother Kate McGarrigle. In fact, I think I’ve even listened to some of her folk songs in the dear and distant days of my youth. And I’m pretty sure that I’d heard of his father, Loudon Wainwright III (I point to the ‘III’ as the clincher that made it stick in the memory cells – a family that is so dumb as to use the same name three times in a row has to be dysfunctional somewhere along the line).

    Anyway, the article was intriguing – Rufus sounded like a real bundle of twitching contradictions mixed in with musical talent inherited from his parents. The whole family seem to have had their share of angst – as his sister drily observed: "It wasn’t the Von Trapp Family". And Rufus is queer, to boot. OK, I thought, I must listen to some of his music.

    Today, Want One arrived from Amazon, and I’ve been playing it all day. Loved the opening track: Oh What A World – with its mixing in of Ravel’s Bolero. I think I’m going to listen to more of the young Wainwright. I suspect my order to Want Two will shortly be placed with Amazon.

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  • “It is a foul calumny that we do today”

    Brian Sedgemore MP tearing into the complacent British government over the eroding of civil liberty by using the false spectre of terrorism.

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  • Hamster-Powered Music

    Boing Boing comes up trumps again and points me to (drumroll) The Hamster-Powered MIDI Sequencer.

    I swear, you couldn’t make this up if you tried…

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  • The Stroop Effect

    Thanks to the Language Log, I came across a new example of psychological interference today: the Stroop Effect. Try it – although if you suffer from colour blindness, it may not work…

    Coincidentally, the word "stroop" in Dutch means syrup – and that aptly sums up the feeling of trying to walk through a vat of syrup when doing the Stroop test.

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  • Things I don’t Miss About Work: The Marketing Department

    #3 in an occasional series.

    OK, I know it’s like shooting fish in a barrel, but what is it about marketing people? They clearly come from another planet from the one I live on. To illustrate the point, take the latest jewel from Microsoft’s Marketing Department: MSN.:Found. Note the weird punctuation in the title; note the "let’s be hip" feel; note the fact that none of these people are real; note that I’ve just been sick in a bucket.

    Douglas Adams had the right idea about marketing departments.

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  • Gay men ‘as bad as women with maps’

    That’s the headline of a story carried by the London Times about research that has been carried out by the University of East London that seems to show that gay men and women (both straight and lesbian) share the same strategies in map reading, and that these are different from those of straight men.

    Personally, I think that the sub-editor responsible for this headline has an agenda. It’s a crap headline – we just use different strategies from straight men. Actually, reading the story, we (gay men) appear to adopt the best of both approaches, so far from being "as bad as", we are, in fact, better than straight men, straight women, and lesbians. So there!

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  • For Better, For Worse, Forget It

    And while one part of society celebrates love (see previous entry), another part of society, to whit, the Anglican Church, refuses to look beyond genitalia. The news media, e.g. the Guardian and the BBC, today carry stories on the impending schism in the Anglican Church over the stance on Gays.

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  • For Better, For Worse

    The UK’s Guardian newspaper reports: “From the Royal Navy to The Simpsons, everyone is taking a line on gay marriage. Duncan Campbell looks at how US and UK film-makers are tackling the issue.”

    The UK film is "Andrew and Jeremy Get Married", a documentary directed by Don Boyd (who also worked with Derek Jarman). I note that Jeremy (Jeremy Trafford) is also an ex-Shell man. I look forward to seeing the film.

    Tying a couple of threads together, I’m currently reading the book containing the last diaries of Derek Jarman (Smiling in Slow Motion), which was published posthumously. The enormous humanity of the man – coupled with a complete refusal to suffer fools (and the establishment) gladly – shines through; despite the pain and suffering he was going through in his last years of life.

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  • Pope Calls Gay Marriage Part of ‘Ideology of Evil’

    So reports Reuters about the pope’s new book. What a charming man he is. Excuse me while I go and turn the other cheek. No doubt his imminent successor will be cut from the same cloth.

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  • I Dream of the Body Electric

    I Sing the Body Electric is the title not only of a Walt Whitman poem, but also a wonderful short story by Ray Bradbury. The story concerns three children, whose father invests in a robot nanny to bring them up after their mother dies. The kicker is that at the end of their lives, when they enter their second childhood, the robot returns to look after them once more. It’s a story that has always affected me deeply, for reasons that I never could understand.

    Today, I read about Japanese toymakers who are designing new dolls designed not for the young but for the lonely elderly — companions that can sleep next to them and offer caring words they may never hear otherwise.

    Life imitates Art

    One response to “I Dream of the Body Electric”

    1. […] I saw the first episode and was instantly hooked. This is my kind of Science Fiction – the miniseries is really eight interlinked tales that explore different facets of the human condition.  They reminded me of the writings of Ray Bradbury; in particular those of growing up in a small town, where the fantastical is glimpsed out of the corner of the eye: Dandelion Wine, and of the tale of growing old: I Sing The Body Electric. […]

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  • The Religion Meme and Prof Ramachandran

    The Guardian has a weekly supplement devoted to the Life Sciences. This week it has an interesting article about why people have religious faith – suggesting that it may be a survival mechanism. Being atheist myself, I’ve long been intrigued by the religion meme.

    The article mentions Professor VS Ramachandran, who is director of the Center for Brain and Cognition and professor of psychology and neuroscience at the University of California, San Diego, and adjunct professor of biology at the Salk Institute. The good professor is one of those people who can convey complex scientific concepts with clarity – a trait that is not as common as I would wish. He also is a natural wit, and does irony beautifully. An example: he was featured in a recent Horizon programme on synaesthesia (Derek Tastes of Earwax), and talking of the origins of language, with a completely deadpan face, he came out with: "How do you start with the grunts and groans and howls of our ape-like ancestors and then evolve all the sophistication of a Shakespeare or a George Bush?"

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  • Gays and The Military

    Came across two stories today about Gays and the military services. First, today’s Guardian reports that the UK Navy is entering into a partnership with Stonewall and actively seeking gay recruits in the Pink Press: Navy’s new message: your country needs you, especially if you are gay. While this might seem quite shocking and the end of civilsation to some unreconstructed admirals in the British Navy, it’s old hat to the military (and police) services here in The Netherlands.

    The second story concerns the first homosexual couple in the New People’s Army to be wed by the Communist Party of the Philippines. The Philippine Daily Enquirer carried the story earlier this month.

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  • Things I don’t Miss about Work: The Language

    #2 in an occasional series.

    Last week, the BBC broadcast the first episode of a series called The Apprentice. It will follow the fortunes of 14 applicants (seven men, seven women) who are all fighting for a single job with Alan Sugar, a well-known (and tough) British businessman. Each week, the applicants are split into two teams, and each week someone from the losing team will be eliminated from the competition. The programme’s format hails from America, where the businessman in question was Donald Trump.

    At first I thought that I wouldn’t watch it, because I don’t care to see naked greed. However, I have to confess that within 10 minutes I was completely hooked, simply because the 14 individuals were all so appallingly mendacious. It became one of those shows that I watch through my fingers spread over my face.

    But the thing that marked out the experience was the language used by the contestants. All the well-worn phrases of management-speak were there: "I like to lead from the front." "I like to think outside the box." "It’s most important that we work as a team." – This from the leader of the women’s team, who consistently undermined any attempt by her fellow team members to act as a team. She rapidly became the star of the show – the gulf between the homilies she trotted out and her every action was terrific (in all senses of the word) to see. I could have sworn that she had taken lessons from David Brent.

    I’ll be there on the sofa for the rest of the series, alternately laughing and crying, and eternally grateful that I no longer have to rub shoulders on a daily basis with people like that.

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  • Managing Libraries of Photos

    I’ve been photographing things since 1966. I started with 35mm (I’ve dallied with both negatives and slides). In 1997, I acquired an APS format camera and used it alongside my 35mm camera. The convenience of the APS camera (a Canon IXUS) meant that my Olympus 35mm camera was only used on “special occasions” when higher quality was essential. In 2001 I ventured into digital territory, replacing the APS camera with the digital format. I still kept the 35mm for the “special occasions” up until I acquired a 4 megapixel camera in 2003. Since that time, I’ve been taking digital format photographs exclusively.

    All the above means that I have a lot of photos, in various formats, to manage. The first step for me was to scan all the “analogue” formats (35mm negatives, slides and APS) into digital format using a film scanner. I’ve now completed this, and, together with the native digital photos, have ended up with 12 GB of photos. This may not be a lot compared with some (I bet if my brother were to do the same he’d have ten times as much), but it’s enough to make me want to find a decent way to catalogue and organise them.

    I’ve been looking around for a decent (and low-cost) software program to help me manage them. At first, I thought the answer was Microsoft’s Digital Image Library, a decent enough program that is packaged with a pretty good editor (Digital Pro). DIL allowed me to assign and group by keyword, as well as by other attributes (e.g. date/month/year). The keywords end up as metadata in the image file (and not in a separate database), so that in theory, they can be used by other applications. Sure enough, Windows Explorer could display the keywords, so the potential for the keywords to be used by other applications was there. So I went through my library, assigning keywords, and gradually the library took shape.

    Then, last month, Google released version 2 of its picture librarian and editing software: Picasa. What was more, it was (and is) free. Naturally I downloaded it, gave it a spin, but then discovered what I thought was the fatal flaw – it didn’t recognise any of the keywords I had assigned to the image files using Microsoft’s DIL. Sigh – I really didn’t want to go through the hassle of assigning all the keywords again to all of my files.

    So for the last month, that’s where it has rested. Until today.

    Today, I returned to thinking about whether I should be using an online image library service. I’d looked at Flickr and Smugmug a while back, but hadn’t really thought about it in depth. Today, I starting looking at them again, in order to see if I could choose one over the other. Flickr has certainly got the technorati hyped up about it – and it does have some nice features. But, a) it’s still in Beta, and b) it does not offer a real storage/backup service – it’s primarily a photo sharing service. Smugmug, on the other hand, was set up by professional photographers with the aim of being a secure storage space for your image files, as well as enabling you to share them with friends and family.

    It was while I was looking at and comparing the two, that I suddenly realised that I did not want to go through the hassle yet again of assigning keywords to every file that I uploaded.

    It was at this point that I learned about the IPTC IIM (International Press Telecommunications Council Information Interchange Model) – a way of assigning metadata that is embedded into an image file. Then I learned that Adobe had taken this concept and produced an XML-based version: XMP. Smugmug supports XML/IPTC. Flickr has acknowledged that it needs to do the same.

    I also came across another free software program: PixVue, which hooks into Windows Explorer and allows me to add IPTC/XMP metadata to all my image files. It’s a brilliant little application. I can even make templates to apply a set of metadata in bulk to files, so this should ease the task of re-assigning all my keywords. And the XMP standard ensures that all of the metadata I assign will be preserved – no matter where the files end up: on another Windows machine, on an online storage/viewing service, or on a friend’s Macintosh or Linux box. [Note 1: Pixvue is no longer available. It stopped development in 2007]

    Then came the point of realisation: Microsoft’s Digital Image Library does not support IPTC/XMP, but Picasa version 2 does.

    Right, that’s it: it’s Picasa for me from now on. Picasa is a very slick application – the search facility (which DIL does not have) is amazingly fast. DIL is dead as far as I am concerned. I only hope that Microsoft realises that they should add IPTC/XMP support into their next version of Windows (Longhorn). [Note 2: Microsoft did add support for IPTC/XMP in all subsequent versions of Windows. Hooray.]

    9 responses to “Managing Libraries of Photos”

    1. Tim Avatar
      Tim

      Geoff

      I read this thread and let me say, I feel your pain. Your situation is so close
      to mine you sound like my evil twin! I have a very similar predicament. I was
      using ACDSee which I though was a very high quality image management application
      however after doing a fair amount of tagging realised I am locked into its proprietary
      database. I went searching for an application that stored the information
      within the file itself.  I wanted to get my digital images in order due to
      the upcoming release of Windows Vista and its reliance on virtual folders and Meta-data.
      I stumbled across Pixvue in a similar manor to you and also Adobe Bridge
      which I have been using for a while. I am looking forward to creating virtual
      folders and searching for my images.

      Anyway I will have to learn how to use the template feature in Pixvue as it may
      decrease the amount of time I spend assigning key words to images (I have a
      lot)

      Any tips on how you tag your images, do you have mandatory fields etc? Title,
      Description and keywords etc? Do you just put who is included in the photo
      (person keywords). Any help in structuring this to increase the flexibility I
      will have when searching the information would be greatly appreciated.

      Thanks

      Tim

    2. Geoff Avatar
      Geoff

      Tim – an email will be on its way to you shortly…

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